Whether Pauline Kael is singing the praises of Satyajit Ray, or cutting Alain Resnais down to size, she is, without question, the real deal, a true American iconoclast. She died a few weeks before 9/11, and, in the answer to where were you when the planes hit the Trade Center, I was in my office at my old job, reading some of the online tributes to her, when the phone rang. But what she says is far from being fancy. I don't always agree with her, but even when I don't she's a joy to read. All of. I mean, I took this book because I thought it's about movies, but I've found out that it's about people watching the movies. But what she says is far from being fancy. From 1962–64, Kael had written for a short-lived section of Film Quarterly entitled Films of the Quarter, alongside other critics such as Stanley Kauffmann and the screenwriter Gavin Lambert. I have always been a great admirer of Kael's film criticism, even while most of the time I didn't agree with her. Kael taught me to to better appreciate a film, provided perspective, she delved into themes and ideas, and her writing was as smooth as butter. I Lost It at the Movies is a 1965 book that serves as a compendium of movie reviews written by Pauline Kael, a film critic from The New Yorker, from 1954 to 1965. She is fantastically bitchy when she doesn't like a movie, and doesn't hold back (she's also pretty snarky about other critics' opinions, and doesn't hesitate to call them stupid if she thinks they are), so that's fun, too. Agree or disagree, but hear her out. On this page will find the solution to “I Lost It at the Movies” author crossword clue. WorldCat Home About WorldCat Help. Paperback. I Lost it at the Movies. Her comments are so fresh and direct, it's as if the movies had only been released last week. I Lost it at the Movies Even when you disagreed, you learned an idea from Kael about the topic. I also love how she often will gauge the reactions of an audience around her, even mentioning comments by people made during the viewing. Visit our site for daily crossword clues So it seems to me that she just hates movies that are particularly praised by intellectu. To be honest, I thought this was occasionally. Of the great film critics, Kael has probably aged the worst. Spine may show signs of wear. 25. I Lost it at the Movies on Amazon.com. just to see particular things she is talking about. Paul Kael is in continuous reaction to the people's reaction to movies. Find books like I Lost it at the Movies: Film Writings, 1954-1965 from the world’s largest community of readers. This makes for criticism that’s generally less constructive and illuminating than monomaniacally obsessed with pointing out why everyone else is wrong, with dissecting why movies are terrible without giving them much of a fair shake, jumping to conclusions and dismissing viewpoints with maniacal abandon. Like Fran Lebowitz, I could happily sit down at a party while she held court over cigarette after cigarette, and went through the failings of everyone in the room and a significant number of people outside of it. Some notable reviews in this section for me were about the French New Wave and Truffaunt (Shoot The Piano Player and Jules And Jim), Kon Ichikawa (Kagi and Fires On The Plain), Italian films (L'Avventura, LaNotte, 8 1/2, and La Dolce Vita), Kurosawa's Yojimbo, and Satyajit Ray's Devi. Some good stuff, but I'm afraid I found my attention wandering at times. The trouble with most film criticism today is that it isn't criticism. Her comments are so fresh and direct, it's as if the movies had only been released last week. It's worth it! In reference to the title of the book, the critic Jonathan Rosenbaum wrote an article entitled "I Missed It at the Movies: Objections to Raising Kane" as a rebuttal to Kael's essay on Citizen Kane, which had been entitled "Raising Kane". Her prose style is wonderful, and her writing has wonderful personality, but her judgments are unfair, and her pieces are instances of performance art. Every "review" of her started by criticizing mass or intellectual reception, or criticizing others reviews. Examples of his critical observations are available in his books, e.g., The Primal Screen and Politics and Cinema. (Actually, he thinks it was 12 years ag o so I’ve done some very minor editing–anybody with the semicolon skills of Stephen requires only the least bit of tweaking.) Since it's a collection of reviews and essays, I can pick it up and read part and put it down later, which makes it perfect for reading in-between all the books I have to read for class. the late, great Pauline Kael. Otis Ferguson, James Agee and Andrew Sarris still retain much of their felicity. She could surprise you with her knowledge and poetic metaphors. So it seems to me that she just hates movies that are particularly praised by intellectuals, and she can find all the reasons for that, bad reasons, racist or politic reasons (Why people love russian movies? She could surprise you with her knowledge and poetic metaphors. “Really, it's not people who don't understand us who drive us nuts—it's when those who shouldn't, “An artist must either give up art or develop.”, See 1 question about I Lost it at the Movies…, New African American Histories and Biographies to Read Now. Otis Ferguson, James Agee and Andrew Sarris still retain much of their felicity. A bit heavy for me. This book is dense. i lost it at the movies Like all the other political junkies, I was mesmerized by Clint Eastwood's bizarre performance at the Republican Convention, a performance so riveting in an appalling way that it has already given rise to a new word, "eastwooding," which has gone viral on YouTube. she's rather brilliant. Of the great film critics, Kael has probably aged the worst. __-Tiki : KON I Lost It At The Movies is the first book of criticism by iconic film critic Pauline Kael. Here is the answer for: “I Lost It at the Movies” author crossword clue. Kael’s writing style is still (mostly) gripping but the time period this covers means that most - if not all - of her pop culture references are so long ago I didn’t recognize them. These sections are entitled as such: I) Broadsides; II) Retrospective Reviews: Movies Remembered with Pleasure; III) Broadcasts and Reviews, 1961–1963; and IV) Polemics. Gauging audi. It is, rather, appreciation, celebration, information, and it is written by intellectuals who have come to be "insiders" in the sense that they are able to discourse learnedly about almost any movie without thinking much about whether it's any good - the very question must strike them as a little naive, and irrelevant - because they see it as a greater, or lesser, manifestation of the mystery, the godhead of Cinema. Atlantic Monthly / Little, Brown, 1965. the madness that has overtaken Armond White). I first discovered Pauline Kael in my doctor's waiting room. Even when she was enthusiastic about a movie, it still gave me little desire to see it. What Truffat called the beauty of cinema. Fuck, even when I disagree with her (really, how can she hate La Dolce Vita?) The book was published prior to Kael's long stint at The New Yorker. In case something is wrong or missing you are kindly requested to leave a message below and one of our … Criticism's is a second order genre. I lost it at the movies. when she discussed films I’d never heard of it was like reading a foreign language. Skip to main content. We are made by history.” So, this January, as we celebrate Martin Luther King... To see what your friends thought of this book, I Lost it at the Movies: Film Writings, 1954-1965, Whether Pauline Kael is singing the praises of Satyajit Ray, or cutting Alain Resnais down to size, she is, without question, the real deal, a true American iconoclast. I Lost It at the Movies by Kael, Pauline. just to see particular things she is talking about. Maybe best as a resource for some of the specific films covered, many of which I now need to see. 20 Dec 2009 TBogg. Fast and free shipping free returns cash on delivery available on eligible purchase. Goodreads helps you keep track of books you want to read. Mort Sahl is back! GOING BACK TO MOVIE THEATERS Read More ... Get your swag on with discounted movies to stream at home, exclusive movie gear, access to advanced screenings and discounts galore. I lost it at the movies by Pauline Kael, 1994, M. Boyars edition, in English Also, she knew what really worked on film, directer's wonderful "trashy talent" those moments in film that. Kael, on the other hand, seems capricious, stubborn and willfully inconsistent. Paul Kael is in continuous reaction to the people's reaction to movies. I will not - I cannot - part with it; it is one of the buildi. Like Fran Lebowitz, I could happily sit down at a party while she held court over cigarette after cigarette, and went through the failings of everyone in the room and a significant number of people outside of it. It contains her negative review of the then widely acclaimed West Side Story, glowing reviews of other movies such as The Golden Coach and Seven Samurai, as well as longer polemical essays such as her largely negative critical responses to Siegfried Kracauer's Theory of Film and Andrew Sarris's Film Culture essay Notes on the Auteur Theory, 1962. Unfortunately, Ms. Kael has long since left this world and Ms. Lebowitz runs in circles far posher than mine, but they both left their books. Partner Rewards. She comes out swinging and doesn’t stop until the bell rings. There is something about her writing that even while she dislikes a film and will bluntly just say that she dislikes movies that others consider good or even great, she enjoys the act of experiencing the picture and talking about them. This took me a loooong time to get through. they are the enemy god damn it! 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